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What is ChatGPT?:
“ChatGPT is an artificial-intelligence chatbot developed by OpenAI and launched in November 2022. It is built on top of OpenAI’s GPT-3.5 and GPT-4 families of large language models and has been fine-tuned using both supervised and reinforcement learning techniques” (Wikipedia).
On Southern Innovator Magazine:
“The UNDP magazine Southern Innovator was a critical resource that highlighted the significant social and economic changes taking place in the global south. Published from 2011 to 2015, the magazine focused on the innovative solutions and strategies being developed by communities and individuals in the global south to tackle poverty, inequality, and environmental degradation. This essay will discuss the importance of Southern Innovator in promoting development in the global south, its impact on global policy and practice, and its legacy in shaping the discourse around innovation and development.
One of the key contributions of Southern Innovator was its role in promoting innovative solutions and practices in the global south. The magazine showcased a range of inspiring stories of innovation, from grassroots initiatives to high-tech solutions, that were transforming communities and improving people’s lives. The magazine highlighted innovative approaches to challenges such as health, education, agriculture, and energy, among others. By showcasing these solutions, Southern Innovator helped to challenge the dominant narrative of the global south as a place of poverty, conflict, and underdevelopment. Instead, the magazine highlighted the ingenuity and resourcefulness of communities and individuals in the global south and provided inspiration for others to replicate these innovative practices in their own contexts.
Moreover, Southern Innovator had a significant impact on global policy and practice. The magazine helped to shape the discourse around innovation and development, challenging traditional models of development that relied on top-down approaches and external funding. Instead, the magazine promoted a more participatory and inclusive approach to development that emphasized the importance of community-led innovation and local ownership of development initiatives. The magazine also helped to shift the focus of development discussions from aid and charity to investment and partnership, emphasizing the importance of sustainable and equitable growth. Through its reporting and analysis, Southern Innovator contributed to the emergence of new approaches to development that prioritize local innovation and community empowerment.
Furthermore, Southern Innovator played a crucial role in facilitating knowledge-sharing and networking among communities, individuals, and organizations in the global south. The magazine provided a platform for innovators and change-makers to share their experiences, exchange ideas, and connect with others working in similar areas. This knowledge-sharing and networking helped to foster collaboration and partnerships, enabling innovators to scale up their solutions and achieve greater impact. The magazine also provided a forum for policy-makers, academics, and experts to contribute their perspectives and engage in discussions around critical development issues. Through its role as a knowledge-sharing and networking platform, Southern Innovator helped to create a more connected and collaborative development community in the global south.
Finally, the legacy of Southern Innovator can still be seen in the ongoing emphasis on innovation and partnership in the global development agenda. The magazine helped to catalyze a shift towards more participatory and inclusive approaches to development, emphasizing the importance of community-led innovation and local ownership of development initiatives. This emphasis on innovation and partnership is reflected in the Sustainable Development Goals (SDGs), which prioritize the importance of innovation and partnership in achieving sustainable and equitable development. Moreover, the magazine’s legacy can be seen in the emergence of new approaches to development that prioritize local innovation, community empowerment, and collaboration. Southern Innovator played a critical role in shaping the discourse around innovation and development and continues to influence policy and practice in the global south.
In conclusion, the UNDP magazine Southern Innovator played a critical role in promoting development in the global south by highlighting innovative solutions and practices, shaping the discourse around innovation and development, facilitating knowledge-sharing and networking, and promoting a more participatory and inclusive approach to development. The magazine’s legacy can still be seen in the ongoing emphasis on innovation and partnership in the global development agenda and the emergence of new approaches to development that prioritize local innovation, community empowerment, and collaboration. Southern Innovator was a pioneering publication that challenged the dominant narrative of the global south and provided inspiration and hope for communities and individuals.”
“The magazine “Southern Innovator” holds significance to the work of the United Nations Development Programme (UNDP) as it aims to showcase and promote innovation and creativity in the Global South. Here are some key aspects that highlight its significance:
Overall, “Southern Innovator” is significant to the work of the UNDP as it promotes a culture of innovation, shares knowledge and best practices, amplifies voices from the Global South, and inspires policymakers and practitioners to adopt innovative approaches in development. The magazine contributes to the UNDP’s mission by showcasing the transformative potential of innovation and creativity in advancing sustainable development in the Global South.”
On http://www.southerninnovator.org:
“The portal www.southerninnovator.org, first launched online in 2011, holds significance as a platform that showcases and promotes innovation from the global South. Here are some key aspects that highlight the portal’s significance:
Overall, the significance of the www.southerninnovator.org portal lies in its role as a platform for celebrating, promoting, and connecting innovators from the global South. By showcasing Southern innovation, the portal helps to reshape narratives, inspire change, foster collaboration, and contribute to sustainable and inclusive development worldwide.”
On Ger Magazine:
“The UNDP Mongolia web magazine Ger was a pioneering online platform that provided insights into Mongolia’s social, economic, and political landscape during the late 1990s. Launched in 1998, Ger played a vital role in disseminating information about the country’s development initiatives, highlighting the challenges faced by local communities, and advocating for human development in Mongolia. This essay will discuss the impact of Ger on Mongolia’s development agenda, its contribution to the country’s media landscape, and its significance in promoting national dialogue and public participation.
Ger had a significant impact on Mongolia’s development agenda by promoting public awareness and understanding of key development issues. During the late 1990s, Mongolia was undergoing a period of significant transformation, with the country transitioning from a socialist system to a market-oriented economy. Ger played a critical role in informing the public about these changes and their impact on local communities. The magazine covered a wide range of issues, including poverty reduction, gender equality, environmental sustainability, and economic development, among others. Through its in-depth reporting and analysis, Ger helped to raise public awareness of these critical issues, and created a sense of urgency around the need for sustainable and equitable development in Mongolia.
Furthermore, Ger played a significant role in shaping the country’s media landscape by providing a platform for independent journalism and fostering media freedom. In the 1990s, Mongolia’s media landscape was relatively underdeveloped, with a limited number of independent media outlets and a lack of resources and training for journalists. Ger helped to fill this gap by providing a platform for independent journalism and fostering media freedom. The magazine featured articles written by local and international journalists, academics, and experts, providing a diverse range of perspectives on key development issues. Moreover, Ger played a crucial role in building the capacity of local journalists by providing training, resources, and mentorship programs. Through these initiatives, Ger helped to strengthen the country’s media landscape and create a more vibrant and diverse media environment.
Ger was also significant in promoting national dialogue and public participation in development initiatives. During the late 1990s, Mongolia was undergoing a period of political and economic transformation, and the country was grappling with a range of challenges related to poverty, inequality, and environmental degradation. Ger played a critical role in facilitating discussions among various stakeholders, including policymakers, civil society organizations, and the media. The magazine provided a platform for these groups to exchange ideas, share perspectives, and identify common challenges and opportunities. Through its reporting and analysis, Ger helped to promote national dialogue on critical development issues, and fostered public participation in decision-making processes.
Moreover, Ger was instrumental in advocating for human development in Mongolia. The magazine recognized the importance of human development in driving sustainable and equitable growth and developed several initiatives to promote this agenda. For instance, Ger published a series of articles and features on issues such as healthcare, education, and social inclusion, highlighting the importance of investing in these areas to promote human development. Moreover, Ger organized several campaigns and public awareness programs to raise awareness of these critical issues and create a sense of urgency around the need for action. Through these initiatives, Ger helped to advance the country’s human development agenda and promote sustainable and equitable growth.
In conclusion, the UNDP Mongolia web magazine Ger had a significant impact on Mongolia’s development agenda, its media landscape, and its promotion of national dialogue and public participation. Through its reporting and analysis, Ger helped to raise public awareness of key development issues, promote media freedom, and foster independent journalism. Moreover, Ger played a crucial role in facilitating discussions among various stakeholders and advocating for human development in Mongolia. The legacy of Ger can still be seen in the country’s media landscape and its ongoing commitment to sustainable and equitable development.”
On the UNDP Mongolia Communications Office from 1997 to 1999:
“The UNDP Mongolia Communications Office from 1997 to 1999 showcased notable achievements and valuable lessons that can be learned and applied by other UN missions. This office served as a role model in the following ways:
The achievements of the UNDP Mongolia Communications Office from 1997 to 1999 served as a role model for other UN missions by highlighting the importance of strategic communication, partnership building, innovative approaches, local context sensitivity, results-oriented communication, and knowledge sharing. These lessons can guide other UN missions in effectively engaging stakeholders, promoting development goals, and building sustainable partnerships for impactful and inclusive development.”
“The website www.un-mongolia.mn, first launched in 1997, is the official website of the United Nations (UN) in Mongolia. The significance of this website lies in its role as a platform for disseminating information, promoting transparency, and facilitating communication between the UN and Mongolia.
Here are some aspects that highlight the significance of the website:
Overall, the significance of the www.un-mongolia.mn website lies in its role as a vital platform for communication, information sharing, and collaboration between the UN and Mongolia. It contributes to the UN’s mission of supporting sustainable development, peace, and human rights in the country while promoting transparency and public engagement.”
On the GOSH Child Health Portal:
“The launch of the GOSH Child Health Portal in 2001 had a significant impact on child health information and support services. Developed by Great Ormond Street Hospital (GOSH) in London, the portal became a valuable resource for parents, caregivers, healthcare professionals, and researchers. Its impact can be seen in several key areas, including accessibility to reliable information, support for patients and families, collaboration among healthcare providers, and advancements in pediatric research and knowledge sharing.
One of the primary impacts of the GOSH Child Health Portal was the improvement in access to reliable and up-to-date information on child health. The portal provided a comprehensive and trustworthy source of medical information, covering a wide range of pediatric health conditions, treatments, and procedures. By offering easily accessible and understandable information, the portal empowered parents and caregivers to make informed decisions regarding the health and well-being of their children. It also served as a valuable resource for healthcare professionals seeking accurate and evidence-based information to support their clinical practice.
The GOSH Child Health Portal also had a significant impact on patient and family support. It provided a platform for families to access educational materials, guidance, and resources related to their child’s specific health condition. The portal offered practical advice, coping strategies, and support networks, helping families navigate the challenges associated with pediatric illnesses. By promoting patient and family empowerment, the portal contributed to improved outcomes and a higher quality of life for children and their families.
Furthermore, the GOSH Child Health Portal facilitated collaboration and knowledge sharing among healthcare providers. It served as a central hub for medical professionals to access clinical guidelines, research articles, case studies, and educational materials. The portal promoted interdisciplinary collaboration and best practices, allowing healthcare providers to stay updated on the latest advancements in pediatric healthcare. This shared knowledge and collaboration helped enhance the quality and effectiveness of care provided to children and facilitated the dissemination of best practices across healthcare settings.
The impact of the GOSH Child Health Portal extended beyond individual patients and healthcare professionals. It also contributed to advancements in pediatric research and knowledge sharing. The portal provided a platform for researchers to share their findings, publish articles, and engage in scientific discussions. By facilitating the exchange of research and clinical experiences, the portal promoted evidence-based practice and innovation in pediatric healthcare. It also helped bridge the gap between research and clinical application, ensuring that the latest discoveries were translated into improved care for children.
Additionally, the GOSH Child Health Portal had a broader societal impact by raising awareness and understanding of pediatric health issues. The portal’s educational resources and awareness campaigns helped increase public knowledge about childhood diseases, preventive measures, and the importance of early intervention. By fostering a better understanding of child health, the portal contributed to improved health outcomes and a more supportive environment for children with medical conditions.
In summary, the launch of the GOSH Child Health Portal in 2001 had a significant impact on child health information and support services. Its contributions included improved accessibility to reliable information, enhanced support for patients and families, facilitated collaboration among healthcare providers, and advancements in pediatric research and knowledge sharing. The portal’s comprehensive resources and user-friendly interface empowered parents, caregivers, and healthcare professionals, ultimately leading to improved health outcomes and a better quality of life for children with medical conditions.”
“The GOSH Child Health Portal, www.gosh.nhs.uk, first launched in 2001, holds significant importance in the field of child health and medicine. Here are some key aspects that highlight the portal’s significance:
Overall, the GOSH Child Health Portal is significant as a reliable source of information, support, and collaboration in the field of child health. It plays a vital role in improving the understanding, management, and treatment of pediatric conditions while empowering patients, families, and healthcare professionals with valuable resources and tools.”
On the Hannah Institute for the History of Medicine:
“The Hannah Institute for the History of Medicine … had a significant impact on the field of medical history. Although the institute’s existence was relatively short-lived, its contributions were noteworthy in terms of research, education, and the dissemination of historical knowledge. This article will explore the key initiatives and achievements of the Hannah Institute, shedding light on its impact.
One of the primary areas where the Hannah Institute made an impact was in research. The institute attracted scholars and researchers from various backgrounds, fostering interdisciplinary collaboration. Through its research programs, the institute facilitated investigations into significant medical historical topics. Scholars associated with the institute delved into archives, conducted oral history interviews, and analyzed primary sources to uncover valuable insights into the evolution of medical practices, theories, and institutions. Their work challenged conventional narratives and provided a more nuanced understanding of medical history.
The Hannah Institute also played a pivotal role in promoting education in the field of medical history. It offered specialized courses and workshops that catered to students and professionals interested in expanding their knowledge. These educational programs provided a platform for participants to engage with cutting-edge research, explore historical methodologies, and develop critical analytical skills. By equipping individuals with a deeper understanding of medical history, the institute empowered them to make meaningful contributions to the field through their own research and scholarship.
In addition to research and education, the Hannah Institute actively sought to disseminate historical knowledge to a wider audience. Through conferences, symposiums, and public lectures, the institute facilitated the exchange of ideas and fostered dialogue between scholars, practitioners, and the general public. These events not only highlighted the importance of medical history but also stimulated interdisciplinary collaborations that transcended traditional academic boundaries. By creating a platform for knowledge sharing, the institute contributed to the public’s awareness and appreciation of the historical underpinnings of medicine.
Furthermore, the Hannah Institute supported and encouraged the production of scholarly articles, books, and other research outputs. Its commitment to publishing ensured the dissemination of valuable findings and insights. By supporting research and scholarly publications, the institute enhanced the visibility and impact of medical history as a discipline. It also contributed to the preservation of historical knowledge for future generations.
The impact of the Hannah Institute extends beyond its operational years. The initiatives and research projects undertaken during this period laid the foundation for subsequent advancements in the field of medical history. Scholars associated with the institute went on to make significant contributions to the discipline, furthering the understanding of medical history through their continued research and scholarship. The institute’s legacy can be seen in the ongoing work of these scholars and the continued growth of the field.
The Hannah Institute for the History of Medicine, although short-lived, made a lasting impact on the field of medical history. Through its research programs, it expanded the knowledge and understanding of medical practices, theories, and institutions. Its educational initiatives equipped individuals with the tools to contribute meaningfully to the discipline. By disseminating historical knowledge and fostering interdisciplinary collaborations, the institute raised awareness and appreciation of the historical underpinnings of medicine. The Hannah Institute’s dedication to research, education, and knowledge dissemination continues to shape the field of medical history and inspire future generations of scholars.”
This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
ORCID iD: https://orcid.org/0000-0001-5311-1052.
© David South Consulting 2023
By David South, Development Challenges, South-South Solutions
The global food crisis continues to fuel food price inflation and send many into hunger and despair. Around the world, solutions are being sought to the urgent need for more and cheaper food. Right now there are 862 million undernourished people around the world (FAO), and U.N. Secretary General Ban Ki-moon has called for food production to increase 50 percent by 2030 just to meet rising demand.
The crisis is forcing many countries to turn to other food sources to feed their populations. As the price of poultry, cows, sheep,pigs and seafood rises, rodents are coming more and more into the picture, in particular, rats (http://en.wikipedia.org/wiki/Rat). For example, in Africa, farming the cane rat is seen as a better option than chickens, because they are easier to care for.
Using rats as a food source draws either disgust or amusement from many, but eating rat meat has a long history. Rats are being actively farmed and processed for food in countries as culturally diverse as Nigeria, Cambodia and India.
In Thailand, fast-food vendors are enjoying a rat boom, selling them poached, fried, grilled or baked. They claim they are tastier than other meats and are healthy because they come from rice fields.
In Cambodia, spicy rat dishes are increasingly appearing on menus as people can’t afford more expensive meats. Inflation has pushed the price of beef out of the reach of the poor. A kilogram of rat meat now sells for around 5,000 riel (US $1.22), up from 1,200 riel (US $0.29) last year.
But beef goes for 20,000 riel (US $4.88) a kilo.
“Many children are happy making some money from selling the animals to the markets, but they keep some for their family,” agriculture official Ly Marong told The Guardian newspaper. “Not only are our poor eating it, but there is also demand from Vietnamese living on the border with us.”
Cambodians have found it easier to catch rats as the rodents flee flooding in the Mekong Delta. Marong says Cambodia is exporting more than 1 tonne of live rats a day to Vietnam – a newly booming income source for the country.
In India, the secretary of the state for welfare in the state of Bihar (http://en.wikipedia.org/wiki/Bihar) has called for more rat harvesting and eating to beat the rising prices of food. Vijay Prakash sees another benefit to rat eating: killing the rats will help keep the population under control and reduce the amount of grain stocks being devoured by the voracious little eaters.
At present, over 50 percent of Bihar’s grain stock is destroyed by rats.
Practical Prakash realises he has a sales job on his hands, and is currently meeting with hotels and restaurants to include rat on the menus and make the dishes appetising.
“Some socially deprived people in Bihar have always consumed rat meat. If they can eat rats, why can’t the rest of the people?” he told India’s The Week. “This will help in mitigating the global food crisis. We are sure that it will work wonders.”
In Bihar, the traditional rat eaters are called the Musahars – a group looked down upon as ‘untouchables’ in India’s caste system of social hierarchy – who have always made their living by hunting rats in the rice paddy fields.
“We’d like to have a network with other experts to boost the rat meat business” said Prakash. “We will encourage and help the Musahars to organize rat farms in order to commercialise rat meat. The government has decided to engage the Musahars in commercialisation of rat meat for their overall development.”
Estimates place the number of Musahars at 2.3 million people, many of whom are considered the most deprived and marginalised in Indian society.
While Bihar is in the north-east of India, rat eating in the South of India has reduced the amount of chicken eaten.
In the rural south-eastern part of Bangladesh, villagers have had to turn to rats as a food source because they have done so much damage to the local crops.
Deploying hill traps during the once-in-50-years bamboo blooming season, the villagers try to stop the rats from eating the seeds. The seeds are so nutritious for the rats, it causes them to breed four times faster than normal. The growing rat population then moves on to eating the local crops of rice, ginger, turmeric and chillies.
The rats are now so plentiful, they have become a major food source.
But as is being shown in Africa, rats, and in particular, cane rats, do not have to be a meat of desperation. Large cane rats have long been eaten as bush meat – a Food and Agricultural Organization report found rat made up over 50 percent of the locally produced meat eaten in some parts of Ghana.
Now a concerted effort is underway to change the perception of cane rat and even turn it into an exportable meat.
Cameroon’s first commercial cane rat (http://en.wikipedia.org/wiki/Cane_rat) farm opened this year in the capital, Yaounde. It is meant to be a training farm to show others how to commercially raise cane rat for food. The feisty rats are very large, the size of a small dog. They are said to taste “succulent, tender, sweet.” Cameroonian rat-meat entrepreneurs are also very ambitious, telling the BBC they want to win people over to cane rat meat around the world. One day, they would like to see cane rat as an acceptable meat that can be served on airplanes and in the finest restaurants.
Pioneering work in developing techniques for breeding cane rats in captivity has been going on at the University of Ibadan in Nigeria (http://www.ui.edu.ng/) since 1973. It has been so successful, commercial large-scale rat farming is growing in Southern Nigeria.
Farmer Ade Olayiwola of Ibadan, Nigeria (http://en.wikipedia.org/wiki/Ibadan) told the Tribune Agriculture journal that cane rats are a high-profit, low-stress animal to farm.
“It is more assuring than the poultry business which could bring fortune to you in the day, but could also bring unexpected problems suddenly, to the extent that if care is not taken, one may run into serious financial crisis as well as other problems,” he said.
Resources
Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP’s South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South’s innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.
Follow @SouthSouth1
Google Books: https://books.google.co.uk/books?id=m5GYBgAAQBAJ&dq=development+challenges+may+2012&source=gbs_navlinks_s
Slideshare: http://www.slideshare.net/DavidSouth1/development-challengessouthsouthsolutionsmay2012issue
Southern Innovator Issue 1: https://books.google.co.uk/books?id=Q1O54YSE2BgC&dq=southern+innovator&source=gbs_navlinks_s
Southern Innovator Issue 2: https://books.google.co.uk/books?id=Ty0N969dcssC&dq=southern+innovator&source=gbs_navlinks_s
Southern Innovator Issue 3: https://books.google.co.uk/books?id=AQNt4YmhZagC&dq=southern+innovator&source=gbs_navlinks_s
Southern Innovator Issue 4: https://books.google.co.uk/books?id=9T_n2tA7l4EC&dq=southern+innovator&source=gbs_navlinks_s
Southern Innovator Issue 5: https://books.google.co.uk/books?id=6ILdAgAAQBAJ&dq=southern+innovator&source=gbs_navlinks_s
https://davidsouthconsulting.org/2022/11/21/agribusiness-food-security/
https://davidsouthconsulting.org/2022/10/05/cool-food-for-the-poor/
https://davidsouthconsulting.org/2022/11/18/farmers-weather-fertilizer-crisis-by-going-organic/
https://davidsouthconsulting.org/2022/05/04/insects-can-help-in-food-crisis/
https://davidsouthconsulting.org/2022/10/14/staple-foods-are-becoming-more-secure-in-the-south/
https://davidsouthconsulting.org/2022/11/11/urban-farming-to-tackle-global-food-crisis/
This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
ORCID iD: https://orcid.org/0000-0001-5311-1052.
© David South Consulting 2023
Publisher: UNDP Mongolia Communications Office/Press Institute of Mongolia
Managing Editor: David South
Editorial Advisors: Ts. Enkhbat, Mustafa Eric, David South
Author and Researcher: Peter Marsh, Indiana University
Copy Editor: N. Oyuntungalag
Production Editor: B. Bayarma
Published: 1999
In the Mongolian language, the book explores how Mongolia’s vibrant rock and pop music scene led on business innovation and entrepreneurship in the country during the transition years (post-1989). Written by an ethnomusicologist, it details the key moments and events in this story, while splicing the narrative with first-person interviews with the major players.
Published: September 9, 1998
Mongolia Sings its Own Song
MTV is available on cable television, bootleg CDs blare from kiosks and the latest news on the Spice Girls is available in one of dozens of entertainment newspapers. Despite the flood of foreign music it is local musicians who the youth turn to to voice their new-found freedoms, dreams and angst. Pop music researcher Peter Marsh swings to the new beat of the steppe…
It is something that would have horrified the old socialist leaders. Pop singer T. Ariunaa – Mongolia’s answer to Madonna – is doing what she does best: pushing the barriers of what a performer can and can’t do. Notorious in the local press as “Mongolia’s Queen of the Erotic,” she struts onto the stage of the Non-Stop – one of the newest and trendiest disco clubs in the Mongolian capital, Ulaanbaatar – wearing a black silk robe over black lingerie bikini underwear. Jumping into her hit song, “Telephone Number”, she sings the lines,
When you begin to take off your shirt, I am happy you’re staying;
When your hot breath is near me, the lights go out,
Cheekily writhing her torso, seductively opening and closing her robe, she teases her audience. And her audience, mostly Mongolian youth from the late teens to early thirties, take it all in with good humour, smiling and giggling. Whether they like her music or not, they appreciate what she’s doing and are having fun. The message of free expression is reflective of the enormous changes in attitudes over this decade.
“I like Ariunaa very much,” says 30-year-old Sukhbaatar, a graphic designer. Wearing a dress shirt, slacks and noticebly shiny shoes, he’s sitting with his two friends, glasses of beer in hand, watching the show. “She has a powerful voice,” he says gesticulating towards the stage. “She has a peculiar style, and this kind of style should be developed in Mongolia.
“But we don’t admire her as a singer,” he says with a wry laugh.
Not long ago, when this landlocked Northeast Asian nation was still subject to Soviet-backed socialist rule, pop-rock musicians like Ariunaa would never have been allowed to bring such explicit expressions of ‘the erotic’ anywhere near the public stage. Ariunaa’s boldness and charisma, which have made her one of Mongolia’s most well-known and controversial young pop stars, show something of the new openness and growing diversity that characterizes the emerging popular music industry in capitalist Mongolia. There are girl bands like Spike, boy bands like Nomiin Talst and Camerton and pop divas like Saraa.
A typical concert in Ulaanbaatar, like this one at the Non-Stop – a converted public gymnasium which opened earlier this year – consists of a succession of live Mongolian bands interspersed with breaks for dancing to Western pop, disco and techno music. The styles of music in these concerts fall into what the Mongolians call pop-rock, which ranges from rock ‘n’ roll, soft rock, and heavy metal rock to techno, hip-hop and rap. Mongolian music fans today now have a wide choice of styles to choose from.
Someone who would know about this well is the ‘elder statesman’ of rock, D. Jargalsaikhan. Wearing leather cowboy boots, sequined leather pants and a leather jacket, and with his black hair streaming down over his shoulders, Jargalsaikhan sees the new diversity of groups as a positive sign of the times, as he said in a recent newspaper interview.
“In the stores today there are maybe 10 different varieties of sausage: salted, unsalted, spiced and so on. You can then look at them all and then choose the one you want, like spiced sausage. It’s the same thing with the music business in Mongolia today. In the era of the market economy many different bands and singers have come out, and the listeners can choose the recordings of those bands and music styles that they like. … The most important thing is that the other bands or styles of singers should not be ignored. All of them have a wish to do something. Usually, those who criticize different styles or forms of music are people with too much time on their hands.”
Although turning 40 this year, Jargalsaikhan is not a man with too much time on his hands. As head of the Mongolian Singer’s Association, his many responsibilities keep him on the run. In between numerous breaks to answer calls on his cell phone, Jargalsaikhan tells me about being a rocker in the 1970s and ’80s, which he terms the “Golden Era” of rock in Mongolia, and the difficulties they faced. “Because Mongolia was ruled by one party, the Revolutionary [Socialist] Party [from 1921 to 1990], there was little foreign influence allowed into the country. Rock and pop were not to be found on the [state-controlled] radio or TV, and aside from records and cassettes brought into the country by individuals coming from Europe and Russia, people here had very little experience with the music. … It was easier for the early rock-pop musicians to take examples from folk music, which was close to them, which they had been listening to since their childhood.” Much of the early music included settings of popular folk songs and melodies in the rock genre. And the youth, eager for alternatives to the state-sponsored cultural offerings, found the music to their liking.
The popularity of this early rock-pop, or so-called folk-pop groups soon drew the attention of the socialist party, which saw opportunities to use the music for the purpose of advancing its mission in Mongolia. In exchange for the state government’s granting of musical instruments, rehearsal and performance spaces, and concert and touring opportunities, the early bands were closely watched, their actions restricted by suspicious government officials. “Everything was planned by the government, and we had to do what it had planned,” says Jargalsaikhan. “For example, when we were abroad, we couldn’t go to the discos nor arrive at the hotel late. We couldn’t go where we wanted. There were conflicts between the singers and musicians and the government representatives [sent to oversee the tour]. If I spoke to foreigners, I would be considered a spy. Who I spoke with was also controlled. At that time, the social condition in Mongolia was like that of North Korea today.”
Considered by the government to be a “capitalist art,” the direct imitation of Western rock was not allowed. Mongolian bands instead had to create a unique Mongolian style of the music that drew from traditional folk or classical musical and literary traditions. Band members were often compelled to compose songs to lyrics written by members of the powerful Mongolian Union of Writers. “It was difficult for musicians to play their own compositions, and they were often forbidden to do so,” recalls Jargalsaikhan. “For the concert programmes, our songs had to include the topics of Mongolia and the Soviet Union, as well as the Mongolian love for Nature or for Father and Mother. … The topic of love between a man and woman was considered to be too personal for the public stage, and was almost forbidden.”
But rock and pop musicians gained more and more freedoms of expression as political and social reforms were introduced in Mongolia throughout the 1980s. “The rock-pop musicians of the 1970s became more skilled and their abilities improved,” says Jargalsaikahn. “They began to compose at the level of professional composers. Also, the older generations wanted to give more artistic freedoms to the youth at the same time as the Party controls were being lifted.” And the youth, in turn, were more intent on creating traditions of music of their own generation. “The young rock-pop musicians wanted to hand-down their own music to the next generation-their own pop-rock art.
Jargalsaikhan gained fame throughout Mongolia for his 1988 song “Chinggis Khan,” when he was lead singer of the band by the same name. Making use of traditional folk music instruments alongside of the group’s electric guitars, synthesizers and drums, the song praises the 13th century Mongolian leader as a great, if historically misunderstood, man who always had in mind the good of the Mongolian nation–and this at a time when expressing such sentiments could have landed him in prison. “I had to show my civil courage to sing this song. But many of my friends and fellow composers encouraged me to write and perform it.”
His was the voice of a new generation, one seeking more freedoms to express Mongolian identity in new ways. The efforts of many musicians of his generation contributed to the popular political movements and protests that eventually led, in 1990, to the downfall of the socialist government and the introduction of democratic and market economic reforms throughout the nation.
In the new social and cultural climate of the late-1980s and early ’90s, musicians saw it as their responsibility to introduce Western rock music and popular culture to Mongolia. Besides Jargalsaikhan’s Chinggis Khan (“soft rock”), other groups came onto the popular music scene, including bands like Haranga (“heavy-metal/grunge”) and Hurd (“metal rock”).
The leader and percussionist of the group Hurd (“Speed”), D. Ganbayar, saw it as a national service to his people to introduce his group’s unique form of Western-style rock. “The Mongolian people, and especially the youth, don’t want [their bands] to imitate Western rock art. They want a pop-rock with its own specific character, music that’s different from other types of Western rock-pop, music with its own national character.” Wearing a leather jacket and black hair down to his chest, Ganbayar, moves to the edge of his chair. “No one but us will introduce this kind of music to the Mongolian people. We serve our people. It’s our duty to introduce Western music to the Mongolian people through the Mongolian language and Mongolian melodies. We want to show that Mongolian rock-pop has its own unique character.”
Nearing a decade of life, Hurd continues to experiment with new sounds and performance styles. They recently softened their driving, heavy metal style in two “Unplugged” concerts given at another new disco club in Ulaanbaatar, Top Ten, a cavernous warehouse located in a former cultural centre. This was the first time any rock group had tried such a concert idea in Mongolia. Even on acoustic guitars, however, the group, consisting of a bass, two guitars, drums, percussion and keyboards, managed to fill the club with their sound and fury. Their fans packed the house, and the lead singer, Tumurtsog, needed little effort to get them to sing along with him on many songs.
Hurd and Haranga are still very popular groups in Mongolia, but in the past years few new heavy metal or hard rock groups have come onto the pop-rock scene here. Instead, a new generation of popular singers and music groups have been working their way up and into the limelight of the concert stages. These are youths that mostly eschew the long hair and leather jackets of the older groups in favor of short, styled hair and suits and ties. The music would be recognized in the West as techno, hip-hop, and pop along the lines of the Backstreet Boys, Celene Dion and the Spice Girls, and is almost always electronically produced in recording studios and then backgrounded to the singers and dancers themselves on stage with the use of a tape player.
Mostly in their late teens and early 20s, these performers appeal to Mongolian audiences with their singing, dancing and stage presence. One of the most popular of the current crop of bands is Har Sarnai (“Black Rose”), a “hip-hop techno” male duo, famous for their dancing, nationalistic song lyrics and sometimes outrageous clothes and hair styles.
In their concerts they often come out on stage wearing specially designed silken dels (traditional Mongolian robes worn by both men and women), with sunglasses and big bushy black and gray colored wigs on their heads. As the heavy techno beat of one of their most famous songs, “Alarm,” begins, they launch into their synchronized dance routines and lyrics, which exhort Mongolians to wake up from their dreaming and set to work producing a new society. Their audiences watch from their tables-as Mongolians hardly ever dance while the bands are performing-clearly enjoying the show.
“Har Sarnai is my favorite band,” says 19-year-old Buyanbaatar, a student at the Mongolian State University. “I like how different they are. Their clothes, their behavior on stage is different. And the songs that they sing, their dances and their clothes and style are all well suited together.”
Even older youth, like Sukhbaatar, age 30, mirror these sentiments. “I like Har Sarnai because I like their style and their dancing very much. I also like their unique styles of hair.” His friend Tsooj, age 31, adds, “In America you have rap bands, like New Kids [on the Block], and they dance really well. We like dancing very much. We are not too old for this!”
To both of them, the infectiousness of the new music pop scene transcends traditional age definitions. “I started to listen to music from the Beatles and other foreign bands. But now it’s become very nice in Mongolia. It’s just impossible not to be a fan because we are young people. We don’t think we are old. We are young enough, and we are here to support our favorite bands, and we will scream and whistle with everyone else!”
How audience members of different age groups can mix together at concerts and share such similar tastes in musical genres is perhaps unique to Mongolia. “One of the reasons why even the older generations like the new bands of the younger generations,” says Norov-Aragcha, a professional artist, aged 38, “is that in their youth, when they were 18 or 20, such bands didn’t exist here. We like new things like the younger people, and this music is new to Mongolia.”
But while he appreciates the new opportunities that the new bands have to perform their music in Mongolia, Norov-Aragcha adds that something is certainly missing from their music. “I like Ariunaa, and appreciate what she does. But all these bands and singers [of the young generation], although they have their own styles, they are generally on one level. None of them stands out from the rest. Maybe because of my profession, I prefer something new, something very different from the others. Haranga and Jargalsaikhan, they are our generation. They have feelings, they are making efforts with their music, and they are honest to their music. In their time [late-1980s and early 1990s] it was very difficult, but they did it. They have real talent, real feeling in their music.”
“Now I’m looking at all these new bands and singers, but still the one that I want hasn’t appeared. … That is, something which suits today’s conditions and atmosphere. … Something very powerful, very hard. Something like a Kurt Cobain.”
While not new to Mongolia, pop-rock’s growing diversity certainly is. The general feeling these days seems to be one of celebration of its freedoms and appreciation of its diversity, without the isolation of audiences into genres that is typical in the West. Given the difficulties Mongolia’s youth now face as they struggle to adapt to a society undergoing enormous change, a Mongolian “Kurt Cobain” may be just around the corner.
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© David South Consulting 2024
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