Categories
Archive Development Challenges, South-South Solutions Newsletters

Chinese Trade in Angola Helps Recovery

By David SouthDevelopment Challenges, South-South Solutions

SOUTH-SOUTH CASE STUDY

Two-way trade between Africa and China has been an outstanding success story of the past decade. It has led to significant new investment in the continent and brought many new job opportunities. The Chinese community in Africa comprises a mix of entrepreneurs and workers. In formerly war-torn Angola, Chinese workers and investors have led an economic boom as the country recovers from decades of conflict.

The Chinese are generally young, well-educated, English-speaking, ambitious and hard-working. Estimates put the number of Chinese people in Angola at 100,000, and about 1 million across Africa.

The reason these bright young things need to come to Africa goes back to the essential reality of modern China: despite rapid economic growth, per capita incomes classify it as a poor country. While the outside world sees the glitzy, go-go progress of China’s cities, the country’s rural poor go unseen. Around 400 million of China’s 1.3 billion people have annual per-capita income equivalent to US $8,000, while the remaining 900 million have per-capita incomes as little as one-tenth that amount.

Some 6.3 million people in China will graduate this year from university, and it is still very hard for a well-educated Chinese person to get a good job right away. More than a quarter of these graduates will be unemployed, according to the Education Ministry.

There has also been disquiet in parts of Angola over China’s role, with some calling it “neo-colonialism”. But clearly, both Africa and China have much to gain by increasing cooperation.

In the southern Chinese city of Guangzhou (http://en.wikipedia.org/wiki/Guangzhou), a trading hub nicknamed “Africa Town” has emerged since 1998. There are officially 20,000 African traders and entrepreneurs in the city of 18 million, but unofficial estimates put the number at more than 100,000. This African trading hub has emerged to the benefit of both the Chinese and Africans. It is a coming together of small traders matching Africa’s strong demand for consumer goods with China’s manufacturing powerhouse.

In Angola, the mix of entrepreneurs and workers is having a big impact on the country’s development.

Betty, a 22-year-old Chinese woman who has various projects in Angola, including the local Chinese language newspaper, is a typical go-getter.

“I am doing much better here than if I had stayed in China,” she told the BBC.

Another beneficiary of the two-way trade is Deng, a construction a worker: “I earn twice as much as I would at home and I have got a better job,” he said.

For most Chinese, foreign travel is still rare and the excitement of going to Africa to work both attracts and repels because of the continent’s reputation.

“At first I found it frightening, “said Wang. “You hear lots of stories of Chinese people being robbed by the locals.” But he found “there are great opportunities here.”

Another, Jet, who runs an air conditioning business, came to Angola five years ago.

“Everything had been destroyed,” he recalled. “There were no roads, railways, shops, nothing. Some Western companies were already here selling their products but I knew I could import things cheaper from China.”

The large infrastructure projects being undertaken by major Chinese companies are also creating new opportunities. Many Chinese labourers are working on building roads, railways, hospitals and vast housing complexes.

One of the more visible symbols of Chinese investment in Angola is the restoration of the Benguela Railway (http://en.wikipedia.org/wiki/Benguela_railway), considered one of the great routes of Africa and built by British contractors. An engineering triumph, its 1,344 kilometres (835 miles) of track stretch up the Angolan coast, right into southern Congo. The railway took almost 30 years to build in the late 19th and early 20th centuries, but little remained. Until very recently all but a tiny stretch of the line was closed. Now Chinese investment is rebuilding the railway and bringing economic improvement in its wake.

“I couldn’t do this before the railway was fixed,” a woman using the train to get to the market to sell her plump red tomatoes told the BBC. “Before, I had to travel by car which was much more expensive.”

And her income has improved along with the refurbished railway. “I am not rich, but a bit richer,” she said.

And unlike the British, who used the railway to export copper without paying for the resource, the Chinese labourers are getting paid and the Angolan government is paying back the Chinese loan for the railway repairs by selling oil overseas for a market rate.

Published: October 2010

Resources

https://davidsouthconsulting.org/2022/06/02/afghanistans-juicy-solution-to-drug-trade/

https://davidsouthconsulting.org/2022/11/02/african-online-supermarket-set-to-boost-trade/

https://davidsouthconsulting.org/2022/10/26/african-trade-hub-in-china-brings-mutual-profits-2/

https://davidsouthconsulting.org/2022/04/12/djibouti-re-shapes-itself-as-african-trade-hub/

https://davidsouthconsulting.org/2021/07/19/global-south-trade-boosted-with-increasing-china-africa-trade-in-2013/

https://davidsouthconsulting.org/2022/10/26/perfume-of-peace-helps-farmers-switch-from-drug-trade/

https://davidsouthconsulting.org/2021/07/19/south-south-trade-helping-countries-during-economic-crisis/

https://davidsouthconsulting.org/2021/03/05/southern-innovator-issue-2/

https://davidsouthconsulting.org/2022/11/01/southern-innovator-magazine-2010-2014/

https://davidsouthconsulting.org/2022/10/20/trade-to-benefit-the-poor-up-in-2006-and-to-grow-in-2007/

https://davidsouthconsulting.org/2022/10/05/women-empowered-by-fair-trade-manufacturer/

https://davidsouthconsulting.org/2022/06/16/women-mastering-trade-rules/

Development Challenges, South-South Solutions was launched as an e-newsletter in 2006 by UNDP’s South-South Cooperation Unit (now the United Nations Office for South-South Cooperation) based in New York, USA. It led on profiling the rise of the global South as an economic powerhouse and was one of the first regular publications to champion the global South’s innovators, entrepreneurs, and pioneers. It tracked the key trends that are now so profoundly reshaping how development is seen and done. This includes the rapid take-up of mobile phones and information technology in the global South (as profiled in the first issue of magazine Southern Innovator), the move to becoming a majority urban world, a growing global innovator culture, and the plethora of solutions being developed in the global South to tackle its problems and improve living conditions and boost human development. The success of the e-newsletter led to the launch of the magazine Southern Innovator.

Creative Commons License

This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.

ORCID iD: https://orcid.org/0000-0001-5311-1052.

© David South Consulting 2023

Categories
Archive

Angolan Film Grabs Attention at Film Festival

By David SouthDevelopment Challenges, South-South Solutions

SOUTH-SOUTH CASE STUDY

The power of the creative economy to transform lives, livelihoods – and perceptions – should never be underestimated. Creativity can transform the image of places and situations often seen in a negative light. A film from Angola is shining a light on the country’s music scene and showing the vitality of the nation in the wake of a long-running civil war.

Angola’s vicious civil war ran from 1975 to 2002 (http://en.wikipedia.org/wiki/Angolan_Civil_War) and the country is still recovering from the economic and social damage wreaked by the conflict.

The film Death Metal Angola (deathmetalangola.com) was a hit of the recent Dubai International Film Festival (dubaifilmfest.com/en/), an annual film showcase running every December in the United Arab Emirates (UAE) in the Middle East.

Death Metal Angola illustrates the power of film storytelling to draw attention to a country and spark interest in its culture and challenges.

The film focuses on the hidden world of heavy metal music (of which death metal is a sub-genre) (http://en.wikipedia.org/wiki/Heavy_metal_music) in Angola – but it was not supposed to be about heavy metal music at all.

The story starts with American director Jeremy Xido (http://jeremyxido.com/). Originally asked to do a film on immigration, Xido happened upon a railway line in Angola being built by Chinese workers. The railway line was being built in the town of Huambo (http://en.wikipedia.org/wiki/Huambo) in central Angola.

“There’s only one cafe in Huambo where you can get a decent cup of coffee,” he told the UAE’s The National news website. “Everyone interested in coffee is there: expats, military guys, Lebanese businessmen, people from all over the place.”

Hanging out in the café, he met a young man, Wilker Flores, who said he was a musician.

“He said he played death metal, and I just thought: ‘I have to hear this.’”

Flores’ partner, Sonia Ferreira, runs an orphanage and Wilker invited Xido to come hear him play.

“It was in this really poor neighbourhood with no electricity, and there’s Wilker with an amplifier and guitar and stolen electricity from this wire. We lit him with the headlights from an SUV (sport utility vehicle) and he proceeded to play this impromptu death metal concert in the middle of an orphanage with kids running around. It was the most amazing thing I’ve ever seen.

“

Xido then discovered that Ferreira and Flores were organizing the country’s first heavy metal music concert. While they were planning the concert, Xido was inspired to switch to making the film Death Metal Angola.

The documentary took about six weeks to film. Filming took place around Huambu, Benguela and Angola’s booming capital, Luanda. It is a mix of interviews with musicians, including some from the death metal and thrash metal scenes.

The origins of this music scene in Angola reaches back to the country’s former colonial ruler, Portugal, a country where heavy metal rock music has a strong fan base.

Xido found the love for metal music was a by-product of the civil war years. “During the war, a lot of the young guys – if they had the opportunity – would go to Portugal to study to get away from armed service, and they were often exposed to contemporary rock.”

There are local links, too. “Wilker says that rock is actually African in its roots, and says that a lot of the rhythms you’ll find in the countryside are the rhythms you’ll find in death metal.”

“I think a lot of it has to do with looking back at the war and the sort of unfilled promises of post-war,” said Xido, who adds that the lyrics have very political messages and those involved are highly intellectual.

“A lot of these guys are working in banks or doing IT. There’s a young guy who is considered to have the best metal growl. He wanted to come to Dubai, but is studying electronics and has exams.”

Filmmaking is a vibrant part of the global creative economy. According to a 2011 UIS (UNESCO Institute for Statistics) survey, two countries in the global South lead the world in filmmaking. India remains the world’s leading film producer, and Nigeria, with its prolific home video market, continues to hold second place ahead of the United States.

According to the Creative Economy Report 2010, the creative economy is “A new development paradigm” linking the economy and culture, embracing economic, cultural, technological and social aspects of development at both the macro and micro levels.

“Central to the new paradigm is the fact that creativity, knowledge and access to information are increasingly recognized as powerful engines driving economic growth and promoting development in a globalizing world,” the report says.

And as for Xido, making the film has opened his ears to heavy metal music, which he says was not what he listened to growing up.

“Because of these guys I started listening to Pantera and Sepultura and I really got into it. Metal on headphones in New York is fantastic. I love the way they like it in Angola, where it’s a huge expression of joy.”

But what about the other film, the one about immigration and the railway? “It’s still in production,” Xido said.

Published: February 2013

Resources

1) UNESCO Institute for Statistics: A treasure trove of data and analysis on the impact of culture. Website: http://www.uis.unesco.org/Culture/Pages/movie-statistics.aspx

2) How to Make a Movie: Tips on movie-making in 23 steps with pictures. Website: http://www.wikihow.com/Make-a-Movie

3) How to Make a Video: The 3-step process of making a video. Website: http://www.mediacollege.com/video/tutorial/

4) Coming soon … how to make the perfect movie trailer: If you want to get your movie noticed, you need an eye-catching trailer. Just follow these simple rules. Website: http://www.guardian.co.uk/film/2012/jun/16/how-to-make-a-movie-trailer

Southern Innovator logo

London Edit

31 July 2013

Creative Commons License

This work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.

ORCID iD: https://orcid.org/0000-0001-5311-1052.

© David South Consulting 2022